Video Caption: The cast and crew of Universal’s feature film First Man reflect on the story of Neil Armstrong and the Apollo 11 moon landing, one of NASA’s most notable figures and one of the agency’s crowning achievements. They also note their visits to NASA and working with the agency’s staff in the production of the film. NASA provided our historical expertise, footage and imagery, plus allowed for filming access at our facilities.
Film footage provided courtesy of Universal Pictures.
KENNEDY SPACE CENTER, Fla. (NASA PR) — The first steps on the Moon – fueled by a national will to excel – marked a turning point for America and humanity as a whole. At the core of that historic moment, however, lay the story of one man whose strength, perseverance and personal conviction brought him to the moment his foot would leave the indelible and iconic imprint on the lunar surface.
Entertainment Weekly reports the Neil Armstrong biopic “First Man” has received rave reviews following its debut at the Venice Film Festival.
“This is a strikingly intelligent treatment of a defining moment for America that broadens the tonal range of Chazelle, clearly a versatile talent, after Whiplash and La La Land,” writes The Hollywood Reporter‘s David Rooney, further praising the film’s “refusal to engage in the expected jingoistic self-celebration” that celebrating Armstrong’s first-man-on-the-moon milestone could have registered.
“Gosling downplays his natural charisma here to portray a man simply intent on doing a job, approaching it with the utmost seriousness and without ego. Armstrong shows zero willingness to consider what he’s doing in any self-aggrandizing historical context, his taciturn demeanor proving frustrating to the press, who want uplifting soundbites. That makes the characterization almost antithetical to the standard Hollywood conception of a historically significant figure of this type,” he continues. “Instead, Gosling pulls you in on an intimate level, whether Neil is tackling life-or-death situations mid-mission or simply staring at the moon from his backyard, as if the distant image somehow holds the secret to a successful landing. It’s a subdued, almost self-effacing performance that nonetheless provides the drama with a commanding center.”
The Guardian‘s Peter Bradshaw similarly heralds Gosling’s work, calling his lead performance one of “muscular intelligence and decency,” while pegging the film as a “mostly soaring” effort overall, and Variety‘s Owen Gleiberman similarly heralds the project as “turbulently spectacular” and a “docudrama in the most authentic and exciting sense of the word” through Chazelle’s “audacious strategy…. to make a movie so revelatory in its realism, so gritty in its physicality, that it becomes a drama of thrillingly hellbent danger and obsession.”
On the heels of their six-time Academy Award®-winning smash, La La Land, Oscar®-winning director Damien Chazelle and star Ryan Gosling reteam for Universal Pictures’ First Man, the riveting story of NASA’s mission to land a man on the moon, focusing on Neil Armstrong and the years 1961-1969. A visceral, first-person account, based on the book by James R. Hansen, the movie will explore the sacrifices and the cost—on Armstrong and on the nation—of one of the most dangerous missions in history.
Written by Academy Award® winner Josh Singer (Spotlight), the drama is produced by Wyck Godfrey & Marty Bowen (The Twilight Saga, The Fault in Our Stars) through their Temple Hill Entertainment banner, alongside Chazelle and Gosling. Isaac Klausner (The Fault in Our Stars) executive produces. DreamWorks Pictures co-finances the film.